The Solo
kraton remained the capital of Mataram for less than
a decade. The king's brothers were still in revolt,
and his son not only saw Mataram divided between Yogya
and himself, but also had to suffer the foundation of
a new junior court, the Mangkunegaran, under his very
nose. Since the fire in Kraton Hadiningrat, this palace
has upstaged the main kraton as a tourist attraction;
sporting an imposing central pendopo of Javanese teak
with an Italian marble floor, a famous gamelan, and
a museum of topeng
masks
and wayang puppets. It was twice restored by a Dutch
architect, Thomas Karsten, before the war, and remains
the best maintained of Java's kraton. The Mangkunegaran
Palace is north of the Kraton Surakarta, across the
railway tracks. Further north is an independent cultural
museum, Museum Radyapustaka, which was founded in 1890.
Indonesia's first railway line, begun in 1867, linked
Solo with Semarang. In earlier days the Solo river,
Java's longest, carried boat traffic from Solo to the
Strait of Madura, about 300 kilometers away.
In
those times, Solo's wealth derived from the fertility
of its lands and the labor of its subjects. Today, light
industry is increasingly important. Solo's batik industry
is organized on a larger scale than in Yogya. Some of
the largest batik companies in Indonesia, including
Batik Keris, have their headquarters here. Traditional
Solo batik, famous for its natural, soft brown dyes
against a mellow yellowish background, is still available
at Pasar Klewer, the the main batik market.
Solo
has no great temple complex in its vicinity to match
Yogya's Prambanan. However, 36 kilometers to the east,
on the slopes of Mt. Lawu, is one of the island's most
intriguing and unusual antiquities, Candi Sukuh. Though
within present-day Central Java, this temple historically
belongs to East Java and Majapahit. Built around 1430,
during the declining years of the empire, Sukuh is the
end of the process of architectural and religious assimilation
which began at Dieng; still a Hindu temple of sorts,
but with the Indian elements all but overwhelmed by
Javanese innovations. The central monument is a stepped
pyramid, almost like a Mexican ruin. Some see this as
a resurgence of a form of terrace used for ancestor
worship long before Indian influences ever arrived in
Java. Sukuh seems to be associated with a cult of the
wayang hero Bima; in addition, a wealth of sexual imagery
suggests a fertility cult. A realistic set of male and
female genitalia carved in stone, fragrant with recent
flower offerings, adorns the floor of one of the entrances.
Despite the airy views from 910 meters and the erotic
humor of the reliefs, Sukuh is an unsettling, almost
demonic place in its setting of dark pines. With its
images of animals - giant turtles, elephant men, staring
pigs - it is reminiscent of a painting by Bosch.
Candi
Ceto, built 50 years later, is also on Mt. Lawu, seven
kilometers further north and 600 meters higher. Little
remains of the original structure, but the pendopo and
Balinese split gates have recently been reconstructed
on the old terraces. Near Karangpandan, on the road
to Sukuh and Ceto, is the spot which former-President
Suharto has chosen as his final resting place. He was
born and raised in the Yogya area, but Makam Suharto
looks out over the broader sawah of the Solo valley.
Suharto's elaborate mausoleum pendopo was completed
in 1977, but will not be open to the public until he
lies there in state.
Beyond
Karangpandan, a road winds through misty forests to
the mountain re sorts of Tawangmangu, which has marvelous
gardens, and to Sarangan, the usual starting-point for
an ascent of Mt Lawu. Sarangan is beyond the boundaries
of the Yogyakarta Special Region and commands views
over the old railway town of Madiun.
Sangiran,
15 kilometers north of Solo is an important anthropological
site that was first excavated in the 1930s. The 1.8
million-year-old skulls found here have given rise to
heated debate as to wether they represent a link between
Pithecanthropus erectus and Homo sapiens. The Sangiran
Site Museum displays replicas of these skulls, as well
as plant fossils.
THE
NORTH COAST
Tegal
and Pekalongan are the first towns on the Central Javanese
coast east of Cirebon. Tegal is a growing, light industrial
center known mainly for its ubiquitous emigrants, who
sell food from their war-teg (warung in Tegal) from
Jakarta to Surabaya. Pekalongan, however, is Kota Batik
(Batik City), where the wives of generals and diplomats
order their batik. Before the war, Eliza van ZuyIen,
a Eurasian working in Pekalongan, set technical standards
for batik manufacture which have never been equalled,
with her Dutch-inspired floral patterns. During the
war, Japanese models inspired the town's famous Hokukai
Batik. Today, Javanese, Arab, Chinese and European entrepreneurs
design and produce batik here and, while there is reputedly
such a thing as "traditional Pekalongan batik,"
the real "tradition" is one of innovation.
The very best workshops, which take as much as eight
months to complete a single piece, are in surrounding
villages like Kedungwangi.
SEMARANG
The
port of Semarang, not the old royal town of Solo, is
the provincial capital and biggest city in Central Java.
From 1678, when it was the first part of Mataram to
be ceded to the VOC, until 1948, when it was the base
for an airborne assault on Yogya, Semarang was a Dutch
beach-head on the Javanese heartland and a conduit through
which its wealth was extracted. Dutch warehouses and
offices are still much in evidence downtown. An 18th-century
church, Gereja Blenduk, with a green copper dome and
an imposing classical portico, is still in use, although
the baroque organ is no longer in working order, Much
of its congregation is Chinese; Chinese traders were
here long before the Dutch made Semarang their own,
and have outlasted them as masters of Semarang's commerce.
The Sam Poo Kong Temple in the southwest of the city,
is dedicated to a sanctified Chinese Muslim said to
have visited this coast in the 15th century Chinese
and Indonesians worship together here. Klenteng Gang
Lombok is a ore conventional Chinese temple, dating
from 1772.
Although
the old Chinatown is still distinguishable around the
klenteng, the richer Chinese businessmen have abandoned
the blackout-ridden, old town center to join their Indonesian
patrons in the elite suburb of Candi Baru, on the hills
overlooking the city.
Because
of the massive social changes it has witnessed, Semarang's
20th century history has been turbulent. Henk SneevIiet,
the Dutchman who introduced Marxism to the Indies in
1913, was active in the Railway Workers' Union here;
he and his Javanese comrade Semaun made Semarang the
capital of early Indonesian radicalism. Thirty years
later, 2000 nationalist rebels died here in one of the
most bizarre and tragic battles of the Indonesian revolution.
After initially allowing Indonesians to take over, Japanese
troops, on British orders, recaptured the city in October
1945. However, six days later the Japanese were relieved
by "British" troops who were in fact Indians,
themselves not-so-willing colonial subjects. The Tugu
Muda Monument in the city center commemorates the Indonesian
dead.
Every
year, Java's north coast advances imperceptibly seaward.
Semarang owes its growth partly to the fact that it
has not suffered as badly from the creeping mud as old
rivals further east. When the Europeans first arrived,
the greatest trading ports of Java were not Banten,
Jakarta, Cirebon and Semarang, but obscure places, now
almost forgotten by the world, on the curve of coast
between Semarang and Surabaya.
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